Tarell Alvin McCraney has been appointed as the new artistic director of the Geffen Playhouse.   He has received numerous accolades for his work as a writer, producer, and educator.   He has a notable repertoire that includes The Brother/Sister Plays trilogy, Head Passes, Wig Out! In The Moonlight, Black Boys Look Blue, MS. BLAKK FOR PRESIDENT, High Flying Bird, and Choir Boy.  

Geffen Playhouse is a not-for-profit organization committed to enhancing the cultural landscape of Los Angeles through captivating plays and educational initiatives that engage, entertain, and motivate.   Since opening its doors in 1995, it has become a prominent fixture in the Los Angeles theater scene.  

I had the chance to have a conversation with Tarell about his new role and what he finds special about the Geffen Playhouse.  

“I remember thinking to myself. This is so special to have this play with music being engaged by so many people who work in an industry about storytelling and imagination,” stated McCraney when asked what made Geffen Playhouse so special to him. It was a nostalgic trip down memory lane when he brought up Choir Boy, a production from ten years ago. That moment left a lasting impression on him.   Witnessing the presence of renowned figures such as Raphael Saadiq, Tyra Banks, and numerous other celebrities and notable individuals from the entertainment, beauty, and fashion realms, all gathered in this intimate venue  

Tarell stated, “Plays at the Geffen can be really interesting points where they can be a fulcrum where storytelling and art converge.”  

Geffen Playhouse offers much more than just performances for him. It’s all about fostering a sense of community and forging meaningful emotional, mental, and spiritual bonds with the audience.  “I’ve worked for the past six years at a higher education institution. And I’m excited about making sure that our neighbors across the street feel welcome in our space,” McCraney expressed. He emphasized the importance of their attendance, highlighting how it can positively impact their learning and personal development.  

As our conversation progressed, I became intrigued by his role and responsibilities as an artistic director. The role necessitates a strong sense of artistic leadership. I understand that it may seem somewhat ambiguous, but it’s not solely focused on leadership. According to McCarney, having an artistic instinct is essential. He emphasized the importance of fostering a collaborative environment where everyone’s voice is valued. He emphasized his belief in the power of collaboration as an artist, highlighting his collaborative nature.  

“I want artists to feel welcomed. I want the audience seats to fill up. I want strangers to walk up to the building and feel a sense of welcome,” McCarney remarked.  

His plans for Geffen Playhouse involve curating a wider range of performances that challenge the status quo and embrace diversity. Tarell aims to provide the audience with unique and unprecedented experiences. And diversity is a priority for him, with a particular emphasis on the behind-the-scenes aspects. “It’s hard for them to apply if we don’t reach out and engender love,” McCarney commented.   He was specifically talking about those who shape the stage and create the atmosphere for the performance. They are committed to actively promoting diversity in the behind-the-scenes roles. 

I have full confidence in his artistic leadership at Geffen Playhouse. His forward thinking, artistic instinct, and passion for teaching make him the perfect person to guide the theater in all artistic endeavors. In this role, he is able to embody everything that he is and has learned. 

You can learn more about Geffen Playhouse by visiting https://www.geffenplayhouse.org/